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	<title>a.magazine</title>
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	<link>http://issue01.amagazine.org</link>
	<description>nonfiction narratives of africa</description>
	<pubDate>Sat, 26 Apr 2008 12:39:17 +0000</pubDate>
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		<title>Issue 01: Borders</title>
		<link>http://issue01.amagazine.org/2008/01/issue-01-borders/</link>
		<comments>http://issue01.amagazine.org/2008/01/issue-01-borders/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 20:28:03 +0000</pubDate>
		<dc:creator>Maggie Messitt</dc:creator>
		
		<category><![CDATA[Issue 01: Borders]]></category>

		<guid isPermaLink="false">http://amagazine.org/?p=11</guid>
		<description><![CDATA[
By the time you pick this magazine up off the newsstand, fetch it from your mailbox, or read it online, it will have traveled further than you might expect. It will have gone from Paris to Cairo; from Lagos to Melbourne, Sydney, and Perth; from urban Johannesburg to rural Lilydale.  It will have illegally [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://issue01.amagazine.org/wp-content/uploads/2008/04/declare.jpg"><img class="size-full wp-image-24" style="border: 1px solid black;" title="declare" src="http://issue01.amagazine.org/wp-content/uploads/2008/04/declare.jpg" alt="" width="693" height="264" /></a></p>
<p style="text-align: justify;">By the time you pick this magazine up off the newsstand, fetch it from your mailbox, or read it online, it will have traveled further than you might expect. It will have gone from Paris to Cairo; from Lagos to Melbourne, Sydney, and Perth; from urban Johannesburg to rural Lilydale.  It will have illegally crossed the South Africa-Zimbabwe border and been evacuated from war-torn Bukavu in the Democratic Republic of Congo.  It will have crossed the Atlantic at least four times, the Pacific twice; it will have ventured to the warm waters of the Indian Ocean. Created by an international editorial team based in remote South Africa, filled with the words and art of a vast continent, this is a magazine that crosses borders every day.</p>
<p style="text-align: justify;">Borders define our lives, help tell us who we are, hold us in or keep us out.  They shape our history, opportunities, and expectations. But they are not static. They are not just countries and nations, passports and visas. In this increasingly “flat” world, race, socio-economics, religion, politics, and legal systems all act as boundaries, replacing the physical borders that have historically divided us. It is today’s larger, less tangible barriers that we hope to cross in the following pages.</p>
<p style="text-align: justify;">So much of the reportage out of Africa is disaster, disease, or famine related, and yet there is so much more. a.magazine works to highlight the modern, the beautiful, the unexpected and complex sides of Africa, while not shying away from writing or art that confronts the work still to be done.</p>
<p style="text-align: justify;">We’ve been privileged to work with some of Africa’s greatest writers and artists on this premier issue, as well as some of the most knowledgeable Western writers focusing on Africa. As editors, we thank them for lending us their names, their words and art, and—most of all—their support.</p>
<p style="text-align: justify;">As readers, we thank them for tackling the big questions.  Orange Prize winner Chimamanda Ngozi Adichie explores what it means to be an African on foreign soil. Zakes Mda talks about the challenges of being split between two homes and the benefits of being an outsider. Colbert Mashile creates art with a modern aesthetic to explore his traditional Sotho roots. Stephanie Nolen uses the story of a heroic nurse to discuss the greater history of the AIDS pandemic in Africa. Pulitzer Prize winner Greg Marinovich looks both critically and sympathetically at the Zimbabweans flooding into his home country. Other contributors take us inside South Africa’s crowded prisons, a kitchen in Cairo, and one of the most important days in the fall of apartheid.</p>
<p style="text-align: justify;">We hope you enjoy this first issue and keep coming back for more.  We’re just getting started!</p>
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		<title>Chimamanda Ngozi Adichie: A Nigerian Book Tour in Australia</title>
		<link>http://issue01.amagazine.org/2008/01/chimamanda-ngozi-adichie-a-nigerian-book-tour-in-australia/</link>
		<comments>http://issue01.amagazine.org/2008/01/chimamanda-ngozi-adichie-a-nigerian-book-tour-in-australia/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 20:26:34 +0000</pubDate>
		<dc:creator>Maggie Messitt</dc:creator>
		
		<category><![CDATA[Issue 01: Borders]]></category>

		<guid isPermaLink="false">http://amagazine.org/?p=10</guid>
		<description><![CDATA[&#8220;I expect the red-faced man behind the glass to look at my passport with distaste, examine my visa over and over, ask me to step aside, ask for my return ticket, ask irrelevant and patronizing questions.&#8221;

Download &#38; View Chimamanda Ngozi Adichie&#8217;s personal essay here.

Chimamanda Ngozi Adichie was born in Nigeria in 1977. She is from [...]]]></description>
			<content:encoded><![CDATA[<h3><span style="color: #333333;">&#8220;I expect the red-faced man behind the glass to look at my passport with distaste, examine my visa over and over, ask me to step aside, ask for my return ticket, ask irrelevant and patronizing questions.&#8221;</span></h3>
<p></br></p>
<address><a href="http://amagazine.org/wp-content/uploads/issue_01/adichie.pdf">Download &amp; View</a> Chimamanda Ngozi Adichie&#8217;s personal essay here.</address>
<p></br></p>
<div style="border:3px solid #666; font-size:90%; text-align:justify; margin:5px; padding:5px;"><img class="alignleft" style="float: left; border: 1px solid black; margin: 10px;" src="http://issue01.amagazine.org/wp-content/uploads/2008/04/chim_small.jpg" alt="" hspace="10" vspace="10" align="left" />Chimamanda Ngozi Adichie was born in Nigeria in 1977. She is from Abba, in Anambra State, but grew up in the university town of Nsukka where she attended primary and secondary schools and briefly studied medicine and pharmacy. She then moved to the United States to attend college, graduating summa cum laude from Eastern Connecticut State with a major in communication and a minor in political science. She holds a masters degree in creative writing from Johns Hopkins University.</p>
<p>Her novel, <em>Purple Hibiscus</em>, won the Commonwealth Writers’ Prize and the Hurston/Wright Legacy Award. It was also short-listed for the Orange Prize and the John Llewellyn Rhys Prize and long-listed for the Booker Prize. Her short fiction has appeared in <em>Granta</em>, <em>Prospect</em>, and the <em>Iowa Review</em>, among other literary journals, and she received an O. Henry Prize in 2003. She was a 2005-2006 Hodder Fellow at Princeton, where she taught introductory fiction. She is presently pursuing graduate work in the African studies program at Yale. She divides her time between the United States and Nigeria.</p>
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		<title>Greg Marinovich: Fence Jumping</title>
		<link>http://issue01.amagazine.org/2008/01/greg-marinovich-fence-jumping-a-national-sport/</link>
		<comments>http://issue01.amagazine.org/2008/01/greg-marinovich-fence-jumping-a-national-sport/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 20:24:53 +0000</pubDate>
		<dc:creator>Maggie Messitt</dc:creator>
		
		<category><![CDATA[Issue 01: Borders]]></category>

		<guid isPermaLink="false">http://amagazine.org/?p=9</guid>
		<description><![CDATA[&#8220;It is sickeningly exciting, chasing down these poor and wretched refugees from Mugabe&#8217;s failing Zimbabwe.&#8221;


Download &#38; View Greg Marinovich&#8217;s full article here.

Greg Marinovich, born in South Africa in 1962, is a Pulitzer Prize winning photographer and co-author of The Bang Bang Club, a
non-fiction book on South Africa’s transition to democracy.
He has spent eighteen years doing [...]]]></description>
			<content:encoded><![CDATA[<h3><span style="color: #333333;">&#8220;It is sickeningly exciting, chasing down these poor and wretched refugees from Mugabe&#8217;s failing Zimbabwe.&#8221;</span></h3>
<p></br><br />
<a href="http://issue01.amagazine.org/wp-content/uploads/2008/05/zimborder2.jpg"><img class="alignnone size-full wp-image-63" title="zimborder2" src="http://issue01.amagazine.org/wp-content/uploads/2008/05/zimborder2.jpg" alt="" width="500" height="332" /></a></p>
<address><a href="http://issue01.amagazine.org/wp-content/uploads/2008/05/marinovich.pdf">Download &amp; View</a> Greg Marinovich&#8217;s full article here.</address>
<p></br></p>
<div style="border:3px solid #666; font-size:90%; text-align:justify; margin:5px; padding:5px;"><img class="alignleft" style="float: left; border: 1px solid black; margin: 10px;" src="http://amagazine.org/wp-content/uploads/contributors_01/greg_web.jpg" alt="" hspace="10" vspace="10" width="186" height="144" align="left" />Greg Marinovich, born in South Africa in 1962, is a Pulitzer Prize winning photographer and co-author of The Bang Bang Club, a<br />
non-fiction book on South Africa’s transition to democracy.</p>
<p>He has spent eighteen years doing conflict, documentary, and news photography around the globe.  His photographs have appeared in top international publications such as Time, Newsweek, the New York Times, the Washington Post, Wall Street Journal, the Guardian (Manchester), among others. He is chair of the World Press Master Class nominating committee for Africa, and was a World Press Photo judge in 1994 and 2006, as well as convenor of the FujiFilm awards in 2000.</p>
<p>Marinovich is a freelance photographer and filmmaker, and is chair of the Africa World Press Masterclass committee. His work is represented by South Photographs and Corbis.</p>
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		<title>Zakes Mda: An Interview</title>
		<link>http://issue01.amagazine.org/2008/01/zakes-mda-an-interview/</link>
		<comments>http://issue01.amagazine.org/2008/01/zakes-mda-an-interview/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 20:23:03 +0000</pubDate>
		<dc:creator>Maggie Messitt</dc:creator>
		
		<category><![CDATA[Issue 01: Borders]]></category>

		<guid isPermaLink="false">http://amagazine.org/?p=8</guid>
		<description><![CDATA[&#8220;Perhaps as a stranger, I&#8217;m able to see things that people who have been living here their whole lives take for granted, things that to me are new and fresh.&#8221;

Download &#38; View The complete interview with Zakes Mda here.

Zakes Mda is a South African writer, painter, composer, and film maker. He commutes between South Africa [...]]]></description>
			<content:encoded><![CDATA[<h3><span style="color: #333333;">&#8220;Perhaps as a stranger, I&#8217;m able to see things that people who have been living here their whole lives take for granted, things that to me are new and fresh.&#8221;</span></h3>
<p></br></p>
<address><a href="http://issue01.amagazine.org/wp-content/uploads/2008/05/mda.pdf">Download &amp; View</a> The complete interview with Zakes Mda here.</address>
<p></br></p>
<div style="border:3px solid #666; font-size:90%; text-align:justify; margin:5px; padding:5px;"><img class="alignleft" style="float: left; border: 1px solid black; margin: 10px;" src="http://amagazine.org/wp-content/uploads/contributors_01/zakes_web.jpg" alt="" hspace="10" vspace="10" width="160" height="127" align="left" />Zakes Mda is a South African writer, painter, composer, and film maker. He commutes between South Africa and the U.S., working as a professor of creative writing at Ohio University, beekeeper in the Eastern Cape, a dramaturge at the Market Theatre, Johannesburg, and a director of the Southern African Multimedia AIDS Trust in Sophiatown, Johannesburg.</p>
<p>Zakes Mda has received every major South African prize for his work, which includes The Heart of Redness, Ways of Dying, and She Plays with the Darkness—all published in paperback by Picador.</p>
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		<title>Mikhael Subotzky: Die Vier Hoeke</title>
		<link>http://issue01.amagazine.org/2008/01/mikhael-subotzky-die-vier-hoeke/</link>
		<comments>http://issue01.amagazine.org/2008/01/mikhael-subotzky-die-vier-hoeke/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 20:21:48 +0000</pubDate>
		<dc:creator>Maggie Messitt</dc:creator>
		
		<category><![CDATA[Issue 01: Borders]]></category>

		<guid isPermaLink="false">http://amagazine.org/?p=7</guid>
		<description><![CDATA[&#8220;A huge judicial backlog, along with the inability of many poor prisoners to pay bail, contributes to overcrowding in South African prisons.&#8221;


See Mikhael Subotzky&#8217;s full photo essay in the print version of a.magazine&#8217;s first issue.
Mikhael Subotzky, 25, was born in Cape Town, South Africa.  He has worked as a photographer since graduating from the [...]]]></description>
			<content:encoded><![CDATA[<h3><span style="color: #333333;">&#8220;A huge judicial backlog, along with the inability of many poor prisoners to pay bail, contributes to overcrowding in South African prisons.&#8221;</span></h3>
<p><a href="http://issue01.amagazine.org/wp-content/uploads/2008/05/mikhael2.jpg"><img class="alignnone size-full wp-image-56" style="border: 1px solid black;" title="mikhael2" src="http://issue01.amagazine.org/wp-content/uploads/2008/05/mikhael2.jpg" alt="" width="475" height="172" /></a></p>
<p><a href="http://issue01.amagazine.org/wp-content/uploads/2008/05/mikhael1.jpg"><img class="alignnone size-full wp-image-55" style="border: 1px solid black;" title="mikhael1" src="http://issue01.amagazine.org/wp-content/uploads/2008/05/mikhael1.jpg" alt="" width="475" height="317" /></a></p>
<address>See Mikhael Subotzky&#8217;s full photo essay in the print version of <em>a.magazine&#8217;s</em> first issue.</address>
<div style="border:3px solid #666; font-size:90%; text-align:justify; margin:5px; padding:5px;"><img class="alignleft" style="float: left; border: 1px solid black; margin: 10px;" src="http://amagazine.org/wp-content/uploads/contributors_01/mikael_web.jpg" alt="" hspace="10" vspace="10" width="215" height="166" align="left" />Mikhael Subotzky, 25, was born in Cape Town, South Africa.  He has worked as a photographer since graduating from the University of Cape Town in 2004. His final-year university project, entitled Die Vier Hoeke (The Four Corners), consisted of an in-depth study of the South African prison system. It has received widespread acclaim both in South Africa and internationally, winning the 2007 Young Photographers Award at Perpignan, The 2007 KLM Paul Huf Award, The Special Jurors Award at the 2005 VIes Recontres Africaines de la Photographie in Bamako, and the 2006 F25 Award for Concerned Photography.</p>
<p>In 2005, Subotzky extended his focus on the criminal justice system by running photographic workshops with prisoners and photographing ex-prisoners in a series entitled Umjiegwana (The Outside). His latest project, focusing on the small Karoo Desert town of Beaufort West, will be exhibited in Cape Town, Amsterdam, and Verona later this year.</p>
<p>Subotzky has held solo exhibitions inside Pollsmoor Prison (2005), at the Goodman Gallery (2006), and at Constitution Hill (2006). His work has also been exhibited in Basel, Miami, Bamako, San Francisco, Amsterdam, Turin, Verona, Canary Islands, Rome, Verona, Paris, London, and New York. His prints are held in the permanent collections of the South African National Gallery (Cape Town), the Johannesburg Art Gallery, and the Museum of Modern Art (New York).</p>
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		<title>Stephanie Nolen: Christine Amisi</title>
		<link>http://issue01.amagazine.org/2008/01/stephanie-nolen-christine-amisi/</link>
		<comments>http://issue01.amagazine.org/2008/01/stephanie-nolen-christine-amisi/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 20:20:03 +0000</pubDate>
		<dc:creator>Maggie Messitt</dc:creator>
		
		<category><![CDATA[Issue 01: Borders]]></category>

		<guid isPermaLink="false">http://amagazine.org/?p=6</guid>
		<description><![CDATA[&#8220;Tina was weak with relief when her family was installed in the UN compound.  But she was also desperate to leave again—to reach the MSF office and figure out how to get drugs to her patients.&#8221;

See Stephanie Nolen&#8217;s full feature in the print version of a.magazine&#8217;s first issue. 

Stephanie Nolen is the Africa correspondent [...]]]></description>
			<content:encoded><![CDATA[<h3><span style="color: #333333;">&#8220;Tina was weak with relief when her family was installed in the UN compound.  But she was also desperate to leave again—to reach the MSF office and figure out how to get drugs to her patients.&#8221;</span></h3>
<p></br></p>
<address>See Stephanie Nolen&#8217;s full feature in the print version of <em>a.magazine&#8217;s</em> first issue. </address>
<p></br></p>
<div style="border:3px solid #666; font-size:90%; text-align:justify; margin:5px; padding:5px;"><img class="alignleft" style="float: left; border: 1px solid black; margin: 10px;" src="http://amagazine.org/wp-content/uploads/contributors_01/steph_web.jpg" alt="" hspace="10" vspace="10" width="151" height="116" align="left" />Stephanie Nolen is the Africa correspondent for the Globe and Mail, the national newspaper of Canada. Her book, 28: Stories of AIDS in Africa was published in ten countries in 2007.</p>
<p>She lives in Johannesburg, and has been reporting on the AIDS pandemic in Africa for the past six years. She is a six-time nominee for Canada’s National Newspaper Award, a back-to-back winner for international reporting, and a three-time winner of the Amnesty International Award for Human Rights Reporting. Visit www.28stories.com.</p>
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		<title>Sam Nzima: In His Words</title>
		<link>http://issue01.amagazine.org/2008/01/sam-nzima-in-his-words/</link>
		<comments>http://issue01.amagazine.org/2008/01/sam-nzima-in-his-words/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 20:18:41 +0000</pubDate>
		<dc:creator>Maggie Messitt</dc:creator>
		
		<category><![CDATA[Issue 01: Borders]]></category>

		<guid isPermaLink="false">http://amagazine.org/?p=5</guid>
		<description><![CDATA[&#8220;He pulled out his gun and shot directly into the crowd.  He didn&#8217;t shoot on top, or what.  Into the crowd.&#8221;

Read Sam Nzima&#8217;s full account of the 1976 Soweto Uprising, as told to Maggie Messitt, in the print edition of a.magazine&#8217;s first issue.


Photographer Sam Nzima is most famous for his iconic photograph of [...]]]></description>
			<content:encoded><![CDATA[<h3><span style="color: #333333;">&#8220;He pulled out his gun and shot directly into the crowd.  He didn&#8217;t shoot on top, or what.  Into the crowd.&#8221;</span></h3>
<p></br></p>
<address>Read Sam Nzima&#8217;s full account of the 1976 Soweto Uprising, as told to Maggie Messitt, in the print edition of a.magazine&#8217;s first issue.<br />
</address>
<p></br></p>
<div style="border:3px solid #666; font-size:90%; text-align:justify; margin:5px; padding:5px;"><img class="alignleft" style="float: left; border: 1px solid black; margin: 10px;" src="http://amagazine.org/wp-content/uploads/contributors_01/sam_web.jpg" alt="" hspace="10" vspace="10" width="109" height="88" align="left" />Photographer Sam Nzima is most famous for his iconic photograph of Hector Pieterson’s lifeless body during the 1976 Soweto Uprising.  He was a staff and freelance photographer for the World newspaper during the sixties and seventies, fleeing Johannesburg in fear of police retaliation for his work.</p>
<p>Returning to his birthplace in Lilydale, Bushbuckridge, Nzima has become a successful small business owner and is actively involved in numerous community-building projects.</p>
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		<title>Colbert Mashile: Artwork</title>
		<link>http://issue01.amagazine.org/2008/01/colbert-mashile-artwork/</link>
		<comments>http://issue01.amagazine.org/2008/01/colbert-mashile-artwork/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 20:17:21 +0000</pubDate>
		<dc:creator>Maggie Messitt</dc:creator>
		
		<category><![CDATA[Issue 01: Borders]]></category>

		<guid isPermaLink="false">http://amagazine.org/?p=4</guid>
		<description><![CDATA[&#8220;I come from a place shrouded by powerful cultural norms and customs.&#8221;


See Colbert Mashile&#8217;s full feature in the print version of a.magazine&#8217;s first issue. 
Colbert Mashile was born in 1972 in Bushbuckridge in the Mpumalanga Province of South Africa. Mashile comes from a family of teachers and was expected to join the family trend upon [...]]]></description>
			<content:encoded><![CDATA[<h3><span style="color: #333333;">&#8220;I come from a place shrouded by powerful cultural norms and customs.&#8221;</span></h3>
<p><a href="http://issue01.amagazine.org/wp-content/uploads/2008/05/colbert_korama.jpg"><img class="alignnone size-full wp-image-65" title="colbert_korama" src="http://issue01.amagazine.org/wp-content/uploads/2008/05/colbert_korama.jpg" alt="" width="500" height="663" /><br />
</a></p>
<address>See Colbert Mashile&#8217;s full feature in the print version of <em>a.magazine&#8217;s</em> first issue. </address>
<div style="border:3px solid #666; font-size:90%; text-align:justify; margin:5px; padding:5px;"><img class="alignleft" style="float: left; border: 1px solid black; margin: 10px;" src="http://amagazine.org/wp-content/uploads/contributors_01/colbert_web.jpg" alt="" hspace="10" vspace="10" align="left" />Colbert Mashile was born in 1972 in Bushbuckridge in the Mpumalanga Province of South Africa. Mashile comes from a family of teachers and was expected to join the family trend upon completion of high school. However, while studying in Pretoria, he became curious about the art that he saw in gallery windows on the city streets, leading him to the Johannesburg Art Foundation and then to a degree in fine arts from the University of the Witwatersrand. Disliking the stress of Johannesburg, Mashile has found refuge for his family in the quiet of Mpumalanga, where he can feel and experience his Africanness, letting emotions come through and discovering the truth about himself.</p>
<p>Mashile has risen to prominence on both national and international levels, focusing on initiation rituals and the traditions around circumcision. His recent work builds upon these themes, but is infused with the natural and mystical elements that have become part of his environment since moving back to rural Mpumalanga.</p>
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		<title>Colette Rossant: Return to Cairo</title>
		<link>http://issue01.amagazine.org/2008/01/colette-rossant-return-to-cairo-with-recipes/</link>
		<comments>http://issue01.amagazine.org/2008/01/colette-rossant-return-to-cairo-with-recipes/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 20:15:34 +0000</pubDate>
		<dc:creator>Maggie Messitt</dc:creator>
		
		<category><![CDATA[Issue 01: Borders]]></category>

		<guid isPermaLink="false">http://amagazine.org/?p=3</guid>
		<description><![CDATA[&#8220;As I stood at my window, I felt a pang of sadness.  The hotel was surrounded with modern office buildings, elevated highways, and speedboats racing along the Nile.  Where was the old felouk gliding slowly on the water?&#8221;

See Colette  Rossant&#8217;s full feature in the print version of a.magazine&#8217;s first issue.
 

Colette Rossant [...]]]></description>
			<content:encoded><![CDATA[<h3><span style="color: #333333;">&#8220;As I stood at my window, I felt a pang of sadness.  The hotel was surrounded with modern office buildings, elevated highways, and speedboats racing along the Nile.  Where was the old felouk gliding slowly on the water?&#8221;</span></h3>
<p></br></p>
<address>See Colette  Rossant&#8217;s full feature in the print version of <em>a.magazine&#8217;s</em> first issue.</address>
<address> </address>
<p></br></p>
<div style="border:3px solid #666; font-size:90%; text-align:justify; margin:5px; padding:5px;"><img class="alignleft" style="float: left; border: 1px solid black; margin: 10px;" src="http://amagazine.org/wp-content/uploads/contributors_01/colette_web.jpg" alt="" hspace="10" vspace="10" width="191" height="148" align="left" />Colette Rossant was born in Paris, but raised in Egypt by her Egyptian grandparents. She returned to Paris at fifteen to complete her studies. At twenty, Colette married a young American architect and painter, moving with him to New York. Colette has always been very interested in food and fresh produce.  She became a journalist for New York magazine, writing about restaurants and farmers’ markets. Later, she also wrote about her travels in places such as Bhutan, Australia, Ecuador, China, and Japan.</p>
<p>Colette has written ten cookbooks based on her cooking and travels.  She has also published three memoirs. Colette currently splits her time between a townhouse in SoHo, New York, and an old farm house in Le Perche, France.  She is currently working on a novel set in Le Perche.</p>
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